
The music itself operates on the same plane as JME's words: sly, charming, strangely addicting. Utterly synthetic: discordant bass waves slip & slide around each other, computerized snares crackle and pop, the ghost of rave persists.
Bedroom releases are encouraging; imply that if the product is good, ideas are sound, and presentation & personality are compelling, then like-minded souls in other bedrooms will look & listen, place an order, become tuned-in. My current bedroom is on the second floor of a modest house in an oppressively peaceful neighborhood, but it's electric: lights on, Derkhead coming out the speakers, jacked (via an unsuspecting neighbor) into the blipstream.
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